7/30/12

David Wenzel

Do you know of David Wenzel?  He illustrated a Hobbit graphic novel in the early 1990s.

Go support him today.  He is amazing!

http://www.davidwenzel.com/home.html

















A Few Cool Pics

Some stills from Vlog 8 and some fan art!

Is that Dain?

Beorn's House

Riddles in the Dark

Dale

Kissy-Kiss

Rhosgobel

Stone Giants

Its a wrap.


Balin and Bilbo just before the Battle.

Iconic


2 become 3



It is only at the end of a shoot that you finally get the chance to sit down and have a look at the film you have made. Recently Fran, Phil and I did just this when we watched for the first time an early cut of the first movie - and a large chunk of the second. We were really pleased with the way the story was coming together, in particular, the strength of the characters and the cast who have brought them to life.  All of which gave rise to a simple question: do we take this chance to tell more of the tale? And the answer from our perspective as the filmmakers, and as fans, was an unreserved ‘yes.' 

We know how much of the story of Bilbo Baggins, the Wizard Gandalf, the Dwarves of Erebor, the rise of the Necromancer, and the Battle of Dol Guldur will remain untold if we do not take this chance.  The richness of the story of The Hobbit, as well as some of the related material in the appendices of The Lord of the Rings, allows us to tell the full story of the adventures of Bilbo Baggins and the part he played in the sometimes dangerous, but at all times exciting, history of Middle-earth.

So, without further ado and on behalf of New Line Cinema, Warner Bros. Pictures, Metro-Goldwyn-Mayer, Wingnut Films, and the entire cast and crew of “The Hobbit” films, I’d like to announce that two films will become three. 

It has been an unexpected journey indeed, and in the words of Professor Tolkien himself, "a tale that grew in the telling."

Cheers,

Peter J

LotR A-Capella in 99 seconds



http://youtu.be/3FPxYDGfniM


7/18/12

12 Minutes at ComicCon

A breakdown from theonering.net...



The Hobbit showreel:

It opens with a sweeping shot of the green hills of the Shire, with a voiceover from Gandalf intoning “Far to the east lies…” Setting the scene of where they are going -– which is Bag End and the dwarves gathered around Bilbo’s table talking about the quest.

An imposing and grim Thorin Oakenshield heads the table: “Rumors have begun to spread,” he says, “The dragon Smaughas not been seen in many years… Perhaps the vast wealth of our people lies unprotected … perhaps it is time to take back Erebor!”

Gandalf produces the key “It was given to me by your father for safekeeping, it is yours now.”

Fili: “if there’s a key there must be a door!”

This leads in to a discussion of the map and what must be done to go after the long-lost treasure. Gandalf looks to Bilbo… “That is why we need a burglar.”

Martin Freeman is wonderful in this scene, playing a hobbit who is as yet oblivious of what is being designed for him. Even as Gandalf professes the need for a burglar, he agrees but doesn’t quite realize that what Gandalf means is HIM.

“He’s hardly burglar material” the dwarves observe as they regard him skeptically. Which Bilbo happily agrees with. Gandalf then rises to full height and in a deep voice, (much like in Fellowship of the Ring when he says commandingly: “I’m not trying to hurt you, I’m trying to help you”) he warns the dwarves that a burglar he isn’t, but a burglar he will be.

Because, he says, Smaug is well aware of the scent of dwarf. A Hobbit will be wholly unknown to him. Bilbo looks appropriately horrified.

Thorin and the others are extremely skeptical: “Very well, we’ll do it your way.”

As we saw in the trailer last fall, Thorin says: “I cannot guarantee his safety, nor will I be responsible for his fate.”

“Agreed,” replies Gandalf.

The reading of the contract is hilarious, as Bilbo goes over the terms and the various dwarves jump to reassure him that it will be painless once he’s turned ash. James Nesbitt, as Bofur, is superbly funny.

Then Bilbo faints. Thunk.

A series of quick shots of Radagast follow


Radagast is full-bearded, rough-looking, with a big hat… which we later see conceals a number of birds. He’s cuddling his bunnies a hedgehog, and later on we see him racing through the forest on the infamous “bunnysled”.
There’s a quick look at Laketown, which looks amazing. Large boats, almost like pontoons, navigating their way through a warren of canals. We also see the Master of Laketown, played by Stephen Fry.

A brief moment of Gandalf speaking to Radagast: “Turn around and do not come back.”

Radagast responds, “what if it’s a trap?”

Gandalf replies, “It is undoubtedly a trap.”

Radagast does come across as very gentle, as we heard out of Cinema-Con reports.

We follow Gandalf into what could only be Dol Guldur. Looking terrified, he races through narrow passages, as we see glimpses of something ominous racing around either away or following him. Very tight quarters, then suddenly a person we assume to be Thrain leaps out and attacks him.

The riddle game…


Cut away to Bilbo and Gollum meeting in the goblin caves. Bilbo is clumsily waving Sting at Gollum, trying to get him to go away.

“I need to get un-lost a soon as possible.” Bilbo tells Gollum. “I don’t know what your game is.”

“GAMES, WE LOVES GAMES, DON’T WE PRECIOUS!?” Says Gollum, who is quickly slipping between Smeagol and his alter ego.

Bilbo, frightened but up for a small shot at escape, “ Let’s play a game. If I win you show me the way out of here.”

It then segues into the riddle game and after into an expanded look at the scene which caused much speculation when the first trailer was released.

Gandalf and Galadriel come together, with Galadriel saying: “Mithrandir, why the halfling?”

Gandalf responds: “Saruman believes it is only great power that can hold evil in check, but that is not what I have found. I found it is the small everyday deeds of ordinary folk that keep the darkness at bay… small acts of kindness and love. Why Bilbo Baggins? That’s because I am afraid and it gives me courage.”

Chills. Seriously.

Gandalf and Galadriel are holding hands but not in a way that is romantic, but more in the sense of a lifetime of friendship and shared experiences. There is longing, but there is sadness. I cannot say that it is “love” in the way most people think of it.

“Do not be afraid, Mithrandir, you are not alone,” then in Elvish, with English subtitles. “If you ever need aid, I will come.” And after a long look, she draws away from him, leaving him standing alone, and… slightly lost.

Cut to Bilbo picking up the ring


Then we hear Gandalf say, “You’ve changed, Bilbo Baggins…”
Bilbo replies “I found something in the cave”
Gandalf raises his eyebrow and asks, “What did you find?”
Bilbo hesitates and fingers his vest pocket and then drops his hand and says: “My courage”.
Gandalf replies, “Your courage? Good, you’ll need it”.
It’s the first instance of Bilbo’s reluctance to tell the truth about the Ring.

The action shot sequence


And heeeeerrrre we go — a wild ride of action shots.

BOOM. TROLLS GIANTS. Ugly, mean, wild and vicious trolls stone giants.
Have you seen the pics from Comic-Con? Absolutely nothing like seeing them in action. Not the bumbling stupid trolls one kind of expects after reading the Hobbit.

Radagast, racing through the forest on his bunnysled. Yes, a bunnysled. A sled, pulled by surprisingly strong bunnies.

Tauriel, barely shown in these clips, although Philippa speaks highly of her in the Q&A which follows. What we do see is a female, dressed in-brown version of Legolas (description courtesy of Quickbeam), in combat with goblins. Legolas springs out of… leaves? …and joins in the fighting.

Legolas races from the action and comes face-to-face with the party of dwarves, who come to a shocked standstill. “I won’t hesitate to kill you, dwarf,” says everyone’s favorite elf. Warning: We are slightly guessing on the exact quote, due to excessive audience screaming.

More trolls… and then Gandalf is seen standing on a hillside, stabbing his staff into the ground with a blast of morning sunlight.

THE END